Saturday, July 29

Talk to Me Review



Talk to Me 

Dir: Danny Philippou and Michael Philippou

Starring: Sophie Wilde, Miranda Otto, Otis Dhanji, Alexandra Jensen, and Joe Bird


Remember when shaking hands with an evil spirit would've been a terrifying experience? In Danny and Michael Philippou's haunting and horrific scary movie "Talk to Me," teenagers in Australia don't flee in fright from the encounter but instead willingly invite demonic possession into their lives and film every second of the terror for social media. It's an ingenious narrative setup, one that doesn't seem so unrealistic in the world today, that allows the genre storytelling design to push its sinister sights far into the depths of fear, revealing through violent methods a story about grief and isolation that builds an unnerving sense of dread that slowly permeates the entire tale.  


The story begins at a house party where a young man barricades himself in the bedroom in an environment of loud music and conversation. When a concerned friend breaks the door down, pulling the troubled young man through a gathering of curious teens recording every second on their phones, the party ends with a startling act of violence. Danny and Michael Philippou do a great job of establishing the dark tone for the film from the beginning, establishing a sense of panic that leads to chaos, all while maintaining an uneasy tension throughout. 





Mia (Sophie Wilde), a lonely and grief-stricken young woman, is recovering from a traumatic event, spending most of her time in the home of her best friend Jade (Alexandra Jensen) and Jade's little brother Riley (Joe Bird). The close friends organize a party to play a macabre game featuring a sculpted contorted hand. As one partygoer describes it, the hand belonged to a medium, and their embalmed appendage resides inside the sculpture. Mia, eagerly volunteering, accepts the challenge to play the game. The rules are simple: shake the hand and recite the words "talk to me." Immediately after saying the phrase, Mia sees a frail woman sitting across the table. Mia utters the words, "I let you in," and her body becomes possessed by the spirit. 


Compelling horror films have a way of tapping into shared emotions, utilizing those universal sentiments to induce a specific kind of fear in each viewer. One of the most vital components of "Talk to Me" is its ability to connect themes surrounding grief, loneliness, and love and manipulate them as a vessel of fear to target those interconnected feelings. Mia's character is a culmination of all these feelings; the tragic loss of her mother makes her trauma an easy source of manipulation for the tortured souls brought forward by the handshake. 




"Talk to Me" builds an atmosphere of unrelenting dread. Initially, the tone is structured to offer a few moments of brief fun. However, once the friends organize the possession party, where they all take turns inviting the spirits into their bodies, the film reaches its threshold for good vibes and becomes consistent with scare tactics. These terror-inducing moments have strength because of the well-crafted characters, who are all likable and sympathetic on different levels. One of the best relationships in the film exists between Mia and Riley, who have a sibling-like relationship built on trust and compassion. When bad things happen to these two characters, the film's horror hits much harder. As Mia falls deeper into the spell of the possession she invited, her emotions begin to betray her good intentions, influencing her decisions in sinister ways.


Sophie Wilde is exceptional in the lead role, composing a nuanced character while being so affected by the different emotions entering her life. While in the trance of the possession, Wilde unleashes intense mannerisms, making the character feel like an entirely other person through the eyes. Playing young Riley, Joe Bird does superbly in a subtle emotional role that turns aggressively physical. The entire movie rests on the shoulders of these character constructions and performances. Without Sophie Wilde's ability to convey the highs and lows that the character is experiencing or Alexandra Jensen's commitment as the sole tie that binds the friends together, "Talk to Me" would still be an accomplished film but not an emotional one that lingers with you long after the credits role. The combination of unrelenting horror and sincere humanity makes the film so scary.


"Talk to Me" is currently the best horror film of 2023. Its ability to create a haunting atmosphere peaked with unnerving tension and supported by creative genre subversions and superb performances, makes it an exceptional horror experience.


Monte's Rating

4.00 out of 5.00


Tuesday, July 25

Fantasia International Film Festival Opening Weekend

Fantasia International Film Festival Opening Weekend 

Capsule Reviews


The 2023 Fantasia International Film Festival drew its curtains and showcased its opening weekend films on July 20.

The opening was nothing short of intense, brilliant storytelling – setting the bar high for the coming days’ films.

Here’s three capsule reviews of three very unique, diverse films you need to watch for wide release this year.

LOVELY, DARK, AND DEEP

Written/Directed by Teresa Sutherland

Forest ranger, Lennon’s, past keeps haunting her as she has chosen to make a living trying to solve the mysterious disappearance of her sister, which tore her family and life apart. As she goes down a rabbit hole, what she is about to discover is that some truths are better left undiscovered.

This film is set in the middle of a national forest. If the isolation doesn’t get under your skin, the vivid cinematography and terrors shown in broad daylight will. Additionally, Teresa’s intention to only show so much will have your imagination run wild.

This is a nice slow burn from the same writer of THE WIND and as a directorial debut, I can’t wait to see what she does next.

Stay tuned for my Q&A with Teresa Sutherland coming shortly.

4 out of 5


STAY ONLINE

Written/Directed by: Eva Strelnikova

While using a laptop donated to the resistance, Katya, co
mes into contact with the original owner’s superhero-obsessed son, who is looking for his lost parents. In an effort to make a positive change in this boy’s life, Katya risks all that she holds dear to locate his parents.

STAY ONLINE is the first Ukrainian feature film to have been shot since the beginning of the ongoing Russian invasion. This film is not for the apprehensive. It will get under your skin and tear at your heart. It follows the intense pace/feel of recent blockbusters MISSING and SEARCHING – and while those films are fiction-based on scary what if scenarios – Stay Online gives us a glimpse into a real war that is still raging.

The ending isn’t butterflies and rainbows and yet satisfying as Katya’s character fully comes to terms to the horrors around her and how she can make a difference.

3.8 out of 5


RESTORE POINT

Directed by: Robert Hloz

Set in Prague, 2041, the world is on the cusp of crossing a threshold into a new era of human existence, because death has been eliminated. Those who die can be resurrected, and the population is consistently signing in and uploading their memories to a corporate cloud. 

On the eve of the corporation going public, one of its founding members is brutally murdered with his wife, and restoration is impossible. Now, Detective Trochinowska, must infiltrate the extremist group The River of Life who believe that death is sacred, and uncover the dirty secrets that lay at the center of restoration - even though she has an agenda of her own.

RESTORE POINT is the first sci-fi feature to come out of the Czech Republic in 40 years and it will hopefully leave a mark. The pace and untangling of secrets are similar to sci-fi classic BLADE RUNNER, but this film can and should stand on its own pedestal for its cohesiveness and brilliant ending.

4 out of 5


Saturday, July 22

Barbie Review


Barbie

Dir: Greta Gerwig

Starring: Margot Robbie, Ryan Gosling, America Ferrera, Kate McKinnon, Issa Rae, Simu Lui, Michael Cera, Will Ferrell, and Ariana Greenblatt

1h 54m


The introduction for Greta Gerwig's vibrant live-action film "Barbie" features a film homage from one of the greatest science fiction films ever. It's the most unlikely of openings for the pretty-in-pink Mattel toy icon but, surprisingly, suits the silly yet sincere effort that creatively brings to life a witty and subversive story of changing times and shifting cultures. Director Greta Gerwig demonstrates a keen command of style and satire throughout the film, crafting a summer blockbuster that asks all the questions both admirers and naysayers of the most famous doll want answers for.  


Barbie Land is a world inhabited by the Barbie's being played with by humans. And, in Barbie Land, everything is perfect. The weather is always beach-appropriate. Dream houses are perfectly curated. And the fashion is runway approved. On top of everything, society functions effectively and peacefully with various influential Barbie's throughout history playing critical roles in every aspect. One Barbie (Margot Robbie) lives harmoniously with daily hangouts at the beach, nightly highly choreographed dance parties, and constant admiration from the Ken's, specifically one Ken (Ryan Gosling) who is determined to win Barbie's appreciation.



One morning, after having a distressing thought the night before, Barbie wakes up, and things are different. Her shower isn't refreshing. She falls off her house. And she quickly realizes that her heels are touching the ground! After meeting with Weird Barbie (Kate McKinnon), who is always in the splits and has permanent marker lines on her face, she journeys to the real world to find her owner and return things to normal in Barbie Land. 


Greta Gerwig understands that crafting a storytelling segue to connect Barbie meaningfully to the real world is the hardest part. Like other toy crossover films, "G.I. Joe" and "Transformers" come to mind; creating a meaningful story with engaging characters is always the most challenging aspect and often makes or breaks a film's success. Greta Gerwig and co-writer Noah Baumbach ingeniously bring Barbie to visually stunning life with a story centered on female empowerment, historical changes influencing gender roles, and the evolution of a cultural icon. The film does this all with a heavy dose of satirical humor and genuine sincerity for the representation of Barbie in the lives of young children. These topics are played with abundant fun through memorable musical setups, amusing dance choreography, and wonderfully constructed designs that feel transported into the Barbie Dream House. Gerwig curates Barbie Land with fascinating designs that are equally silly but inventive. 



Margot Robbie is sublime as the lead Barbie. The slow transition of the character, which starts as blissfully ignorant and morphs into self-aware confidence, is an excellent composition for Barbie's realization that the real world is cruel towards women and that the many identities women must embody are unfairly complicated. Robbie perfectly embodies the emotional arc. 


The supporting cast is also terrific throughout the film. Ryan Gosling hilariously portrays Ken as a hopelessly devoted heartthrob who arrives in the real world, learns about patriarchy, and returns to Barbie Land to make it his "Kendom." Gosling is having so much fun in this role. Kate McKinnon portrays Weird Barbie with perfect oddball qualities, Michael Cera is deadpan funny as Ken's forgotten buddy Allan, and America Ferrera grounds the comedy with a tender portrayal of a mom trying to reconnect with her daughter and manage the many facets of the world women must traverse.


The film moves with ease, maintaining a level of undeniably charming fun. As Gerwig begins to explore more in-depth what Barbie means in the cultural landscape, whether the representations are good or bad for young girls, the narrative shifts with an abundance of equally thought-provoking and extremely confounding ideas. While moving through these narrative discussions and on a path towards the eventual solution for Barbie's conundrum of new challenges and emotions in the real world, the film balances ideas that struggle to find a clear direction for the character. The answer to the question of Barbie's good or bad representation is ultimately positive but not without proposed complications. 


"Barbie's" third act soars with ideas, moving towards a finale that struggles to find a good place to end. Still, the film finds a way to conclude with a pitch-perfect punchline. Greta Gerwig found a way to make a Barbie movie that surprisingly honors the legacy of the toy doll while also providing heartfelt and humorous meta-commentary concerning the negative and positive representations found throughout shifting cultural times. "Barbie" is a journey of self-discovery at its core, one that, in the expert care of Greta Gerwig, proves to be a joyous display of female strength and solidarity.


Monte's Rating 

3.50 out of 5.00  

Sunday, July 9

Fantasia International Film Festival 2023


7 Most Anticipated Films

Fantasia International Film Festival 2023

 

The 27th Annual Fantasia International Film Festival is back July 20th – August 9th with quite a stacked line-up!

Big mainstream debuts will include SYMPATHY FOR THE DEVIL, TALK TO ME, APORIA, and SUITABLE FLESH. Plus, a career achievement award for Nicolas Cage.

But for me, what draws me to Fantasia each year is the unique storytelling from the smaller, independent films.

Like BOOGER – a film where the main character is bitten by a cat named Booger and things starts to get stranger every day like her hunger for canned cat food. Or #MANHOLE – a film about a successful salesman who falls into a concrete manhole with no way out. Or the world premiere of THE PRIMEVALS, representing the culmination of a longtime dream harbored by visual effects wizard David Allen.

Since its beginnings, the vision of Fantasia International Film Festival has been to explore the diverse realms of genre cinema, creating a bridge between the cutting edge and the mainstream.

It’s a bridge I like to take my time walking along, soaking in all the glorious film making. And although my list of films to watch is extensive, today I’m going to share the 7 films I’m most excited for this year.

 

LOVELY, DARK, AND DEEP

Directed by: Teresa Sutherland

LOVELY, DARK AND DEEP is the hotly anticipated directorial debut of Teresa Sutherland, screenwriter of THE WIND and a writer on MIDNIGHT MASS.

It’s currently being touted as an immersive, fever dream and I’m all for it.

Synopsis:

Georgina Campbell (BARBARIAN) plays Lennon, a park ranger in an isolated forest outpost, the site of multiple mysterious disappearances, and is plagued by visions blending the past and present with something even more sinister.

 


MOTHERLAND

Directed by: Park Jae-beom

MOTHERLAND is the first South Korean stop-motion feature film in almost half a century. The stills look stunning and the story a fun, snow packed adventure that will satisfy my inner child.

Synopsis:

When the health of Krisha’s mother takes a turn for the worse, the village shaman offers her wisdom: follow the North Star to the Ancient Forest and find its guardian and master, the great red bear of legend.

 


THE SACRIFICE GAME

Directed by: Jenn Wexler

I rocked out to Jenn Wexler’s THE RANGER at Phoenix Film Festival in 2018 and I can’t wait to take in her latest punk indie.

Synopsis:

In a girl’s Catholic school in the ’70s, a couple of lonely misfit girls, Samantha and Clara, must spend their Christmas break in their near-deserted school with a young teacher named Rose. As they hunker down for quiet times and turkey, a group of marauding killers set on unleashing supernatural evil find themselves at the school’s gates.

 


STAY ONLINE

Directed by: Eva Strelnikova

STAY ONLINE is the heavy hitter on my list but a film I feel is imperative to watch. It is also the first Ukrainian feature film to have been shot since the beginning of the ongoing Russian invasion.

Synopsis:

While using a laptop donated to the resistance, Katya, comes into contact with the original owner’s superhero-obsessed son, who is looking for his lost parents. In an effort to make a positive change in this boy’s life and pull herself out of a destructive cycle, Katya risks all that she holds dear to locate his parents.

 


IN MY MOTHER’S SKIN

Directed by: Kenneth Dagatan

I LOVE fairy tales and folklore so I’m anxiously awaiting the screening of IN MY MOTHER’S SKIN.

Synopsis:

A Filipino folk-horror fairy tale set in a time of perfidy, dread, and desolation - during the final days of the Second World War, the young Tala discovers something otherworldly in the woods.

 


LATE NIGHT WITH THE DEVIL

Directed by: Cameron Cairnes and Colin Cairnes

Let’s face it, journalism, especially broadcast news journalism, is at a tipping point today. The LATE NIGHT WITH THE DEVIL looks to be a nice reprieve from our current outlook and an interesting found-footage film.

Synopsis:

David Dastmalchian (SUICIDE SQUAD) headlines this innovative and nightmarish horror treat in which a live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation’s living rooms.

 


PERPETRATOR

Directed by: Jennifer Reeder

I showcased Jennifer Reeder’s KNIVES AND SKIN during our local Women in Horror Month screenings in 2019 and it was mesmerizing. There’s no way I’m going to miss out on her latest entry in genre filmmaking.

Synopsis:

Jonny Baptiste is a reckless teen sent to live with her estranged Aunt Hildie. On the event of her 18th birthday, she experiences a radical metamorphosis: a family spell that redefines her called - Forevering. When several teen girls go missing at her new school, a mythically feral Jonny goes after the Perpetrator.

 

Watch for my reviews and possible director interviews from July 20th - Aug. 9th!