Thor: The Dark World
Dir: Alan Taylor
Starring: Chris Hemsworth, Natalie Portman, Anthony Hopkins, and
Tom Hiddleston
The Marvel movie universe continues to grow, particularly in
the realm of “The Avengers” where each affiliate of the group has their own
standalone film. This, of course, is all in preparation for a reunion of the
collective’s sequel. “Thor: The Dark World” continues the journey of thunder
god, who has been busy defending his homeland and fighting evil in the nine
realms. Director Alan Taylor whose recent foray with televisions “Game of
Thrones” offers a pleasant looking atmosphere but unfortunately makes a mediocre
film that is enjoyable enough but ultimately serves the purpose of setting up
the return of the assembly.
Malekith (Christopher Eccleston) is the leader of a group of
vengeful dark elves who, after being defeated in a battle with the Asgardians
and forced into hibernation, awakens and begins looking for a weapon called the
aether. Thor has been battling for peace in the nine realms but is also
distracted by his love for astrophysicist Jane Foster (Natalie Portman) on
Earth. Jane has been looking for Thor since he left and is lead to dimensional
anomalies in London. Jane is drawn into a dark dimension where the aether has
been hidden; she is infected with the weapon, which brings Thor back to protect
her from Malekith who wants the aether for his own world destroying desires.
Director Alan Taylor does a good job of quickly introducing
the characters and working off the established chemistry, especially the
strained relationship between the brothers Thor and Loki (Tom Hiddleston).
Loki, returning to Asgard after destroying New York in “The Avengers” movie, is
imprisoned but is freed by Thor in order to escape Asgard. Hiddleston, the most
interesting character in the film, is comfortable with Loki’s mischievous and
arrogant persona. He uses the character’s buoyant banter in one particularly
comical scene to further flaunt The Avenger’s group and taunt Thor’s upright
character. Hemsworth is good as Thor
even though the superhero is a fairly standard moral composition. The character
is best when action is called for and he is able to heave his hammer. Natalie
Portman is a lead character but is lost amidst the script. She is a scientist
and her assistance during the climatic action sequences consist of displaying
her science vocabulary and handling scientific gadgetry.
The script offers humorous moments that allow Hiddleston and
Kat Dennings, returning as Jane’s intern Darcy, opportunity to lessen the
gravity of an all too serious moment with a deadpan quip. This trait of humor
is something that the Marvel films have embraced; it works in keeping the
atmosphere lighthearted. Unfortunately the narrative jumps around and becomes
disjointed, following characters on Asgard and in London while also following
others floating along in space. It all becomes distracting and familiar. Past
Marvel films have handled some of the same elements better though in a film
made purely for entertainment it’s difficult to expect too much diversion from
successful methods of the past.
While “Thor: The Dark World” forwards the story it doesn’t
do anything audiences haven’t seen in other superhero films before. It’s enjoyable
and witty but after the credit codas are through, it’s regrettably unmemorable.
Monte’s Rating
2.75 out of 5.00
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