Pitch Perfect 2
Dir: Elizabeth Banks
Starring: Anna Kendrick, Rebel Wilson, Brittany Snow, Hailee
Steinfeld, Skylar Astin, Adam DeVine, Ben Platt, Alexis Knapp, Ester Dean, Hana
Mae Lee, and Anna Camp
The excellent acapella songs and bonding solidarity of the
underdog Barden Bellas was the heart and soul of “Pitch Perfect”. The sequel,
with actress Elizabeth Banks taking over directing duties, continues those
elements but amps up the stakes and silliness as most sequels of successful
films are always guilty of doing. The music is fantastic again, with a wealth
of musical material taking unique shape through the voices of talented singers.
While the humor doesn’t always connect as easily as the first film and aspects
of the narrative stumble when aiming to one-up the situations of the first
film, “Pitch Perfect 2” still has head nodding musical arrangements and
continues the spirited and comical aspects to make it an enjoyable and worthy
sequel.
The Barden Bellas are the acapella national champions,
repeating a few more times since the first. During a concert where the
President and First Lady are in attendance, a wardrobe malfunction sends the
Bellas into a tailspin of negativity in the international spotlight. Suspended from
competing in the national competition, the Bellas decide to prove their worth
in the acapella ranks again by competing in the world championships. But the
end of college life and the beginning of real world responsibilities proves to
derail the ambitions of the team.
There are a few unexpected surprises that compliment the
story, one being the addition of comedian Keegan-Michael Key, of television
sketch comedy show “Key and Peele”, who plays an arrogant record producer. There
are also a few that don’t compliment. The international competition angle lacks
creativity, with the Germans getting the only foreign spotlight. And, some of
the deliberate stereotyping of characters, one of the Bellas specifically, is
rarely humorous.
“Pitch Perfect 2” succumbs to some of the pitfalls
associated with sequels, but for the most part director Elizabeth Banks
maneuvers through or past many of them. Even though the film is busy and
sometimes disorganized, the playfulness is always elevated and the result is a
purely entertaining acapella experience.
Monte’s Rating
3.50 out of 5.00
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