Showing posts with label Film Festival. Show all posts
Showing posts with label Film Festival. Show all posts

Sunday, July 5

Fantasia’s 30th Anniversary Must Watch Films


 Fantasia’s 30th Anniversary Must Watch Films


Every summer, I start the season off by counting down to the Fantasia International Film Festival.

My countdown actually started earlier this year in April, before any film was announced, as Fantasia debuted their killer 30th anniversary poster.

Featuring my favorite Shakespeare play, MACBETH, and the three Grey Sisters from Greek mythology, artist Donald Caron depicts three generations of sorceresses, one for each of Fantasia’s three decades. They gather joyously around a cauldron, summoning the festival’s iconic Cheval Noir through tendrils of mist.

It’s a stunning visual to showcase how Fantasia has spellbound genre filmmakers and film-goers alike for 30 years.

This year I expect nothing less than from over 100 filmmakers from across the globe.

The only bad thing about Fantasia – I can’t catch every film they offer.

However, I always have a list of a few films I don’t want to miss.

So grab some popcorn and get comfortable as we take a look at the magic that will start July 16.

 

My 7 Films to Watch

 

BUDDY

Writer/Director – Casper Kelly


As a child, many of us may have looked up to a children’s TV character, but along with that love, there was probably also an apprehension to that character. There was usually something that just seemed a little off, and if you were to meet that character in real life, your first instinct was to probably hide over running to give a hug.

Writer/director Casper Kelly used this common conundrum to create BUDDY.

It’s always fun to take look back at childhood trauma, right? Plus, you get Keegan-Michael Key as Buddy so you get some comedic relief too.

SYNOPSIS:

Trapped inside the off-kilter world of a ’90s children’s television show, a young girl (Delaney Quinn, IF I HAD LEGS I’D KICK YOU) and her friends fight to escape a bloodthirsty, control-freak dinosaur mascot named Buddy (Keegan-Michael Key, KEANU). This is his world. They’re just (barely—and not always) living in it. Buddy can bend time and space. When wounded, he can heal himself. The show has gone on for years, through generations.

 

FERINE

Writer/Director – Andrea Corsini


I am not mother. Partly due to choice; the other part due to medical reasons. But any film that dives into motherhood fascinates me. Maybe because I haven’t and won’t get to experience it, and I feel the need as a woman to support the (blessing/burden) that is unique to us.

I can’t wait to see how FERINE tells the story of motherhood.

SYNOPSIS:

Excited to explore a new chapter in life, wealthy and influential art collector Irene (Carolyn Bracken, ODDITY, YOU ARE NOT MY MOTHER) has just adopted a baby through a surrogate arrangement. This exploration will take on unexpectedly darker shapes when a sudden tragedy shatters Irene’s world, grief tearing through her to such paralyzing extremes that primal, violent instincts begin to guide her in ferocious ways. Her path fatefully crosses with Dama (Caroline Goodall, SCHINDLER’S LIST, HOOK), a lavishly wealthy trafficker of exotic predator animals. Dama recognizes that Irene has become a mercurial predator herself. A morbid bond forms between them. Few in the vicinity will be safe.

 

THE FOX

Writer/Director – Dario Russo

 

Jai Courtney blew me away in DANGEROUIS ANIMALS and I’m curious to see how he does in this black comedy around masculine insecurity.

SYNPOSIS:

Set in a parallel reality where animals talk, hustle, swear, and scheme, THE FOX opens with Nick (Jai Courtney, DANGEROUS ANIMALS, THE SUICIDE SQUAD) discovering that his fiancée Kori (Emily Browning, AMERICAN GODS, SLEEPING BEAUTY) is cheating on him. Forced to come to terms with the fact that their relationship has simmered, he’s devastated. All seems hopeless until Nick captures a fox (Olivia Colman, THE FAVOURITE, THE LOBSTER), who offers unconventional marital advice in exchange for being let free. That advice? She tells him of a magic hole that he should push Kori into, with a promise that she’ll emerge a changed woman. One who will adore him unconditionally, and who will never, ever leave. Not exactly a man of depth, Nick thinks it just may be the thing to do, unaware that there may be a bigger plan in play.

 

MOTHERWITCH

Writer/Director – Minos Papas

 


If you have read any of my past reviews, you may see a pattern, and that is I LOVE folktales, fairy tales, mythology, and any re-imagining or retelling of them. MOTHERWITCH is another film set to explore motherhood, but it is also a re-visioning of Demeter’s story and her loss of Persephone.

SYNOPSIS:

Eleni (Margarita Zachariou), a painter, is isolated from her wider community, consumed by unbearable grief after losing all three of her children in a senseless accident. In desperation, she enters into a Faustian pact with feminine chthonic forces to bring them back. To do so, she must gain the trust of a lonely and abused local boy, Michalakis (Sifis Katsoulakis), a fellow painter seeking refuge from his violent father. Yet once the ritual is enacted, the real nightmare begins, as Eleni’s psychic wound spills outward into the surrounding community through the manifestations she has unwittingly invited in.

 

PAPAYA

Director – Kellen Priscilla

 


You may be wondering if this film has accidentally been included to my list which already has some pretty heavy themes. It’s not a mistake. Lately, I’ve been drawn back to the whimsy of children’s books and how they can help influence younger generations. I saw this brightly colored film and immediately wanted to devour it.

SYNOPSIS:

A tiny papaya seed from the Amazon sees the light of day, and begins to dream of flying like butterflies, and seeing the world. With the help of the natural elements, it remains in constant motion, which not only prevents it from taking root, but also allows it to travel across Brazil. It will, of course, discover colors, animals, insects, birds, and the Amazon rainforest with its exceptional biodiversity, but it will also catch a glimpse of humanity, agriculture that is not always ethical, and the devastation wrought by cities on natural habitats. Is it possible for a papaya seed to change the course of events? Often, all it takes is being in the right place at the right time. Sometimes, all it takes is knowing where to put down roots.

 

THE PERIL AT PINCER POINT

Writers/Directors – Jake Kuhn, Noah Stratton-Twine

 


Humor is good for the soul and is needed now more than ever. To see a dry-humored film that “will have Monty Python fans feel right at home” on Fantasia’s program is something I don’t want to miss.

SYNOPSIS:

Jim Baitte, a perpetually unmotivated sound designer, is working on the latest production from celebrated yet tyrannical B-movie auteur P.W. Griffin. Tasked with capturing audio to elevate the film's climactic finale, Jim is sent to the remote island where the movie was shot. Once there, he finds himself drawn into the islanders' strange customs and bewildering folklore. As reality begins to blur with fiction, Jim must decide just how much he is willing to sacrifice in pursuit of the perfect sound.

 

WHEN YOU OPEN THE DOOR

Writer/Director – Katagiri Eriko

 


It can be difficult to do any kind of retelling of the werewolf myth. However, I appreciate the angle director Katagiri Eriko is going for and I am eager to explore it.

SYNOPSIS:

Eriko Katagiri’s WHEN YOU OPEN THE DOOR starts with a dream. A red-headed doll, a steamy glass, and the sounds of summer mix in with a grandfather clock. Miki, a 27-year-old working in an architectural firm, wakes up in her small apartment, pulled out of her sleepy memory. Miki’s world is quiet and strange, but it will soon be interrupted by a transformative experience that will change her forever. Miki’s life, a kind of daze of memory, dream and reality, starts to collapse. As she pieces together what happened to her, she starts to have memories of a wolf bite, but no one believes her. Katagiri’s film tackles feminine isolation and alienation in a unique and powerful way. The film has a languid numbness; a strange rhythm that’s both uncomfortable and infectious. Viewers who allow themselves to be carried into Miki’s mind will soon find themselves pulled into one of the most unique werewolf stories ever put on the big screen.

 

The 30th anniversary of Fantasia International Film Festival will be held July 16th to August 2nd. Visit https://fantasiafestival.com/en/ to see the entire program and purchase tickets.

Tuesday, June 17

Fantasia International Film Festival 2025

Fantasia International Film Festival 2025

Films I’m Most Excited For


We’re officially less than a month away from the 2025 Fantasia International Film Festival!

Ari Aster’s EDDINGTON will be the opening film on July 16 - and through August 3, audiences will be captivated, transported, frightened, or even shocked by the diverse genre film line-up this year.

As always, I have my list of “can’t wait to watch films” that I have put together for anxious viewers. And like every year, it was hard to narrow down my list but I did my best and have 10 films to look into.

So grab some popcorn and enjoy this preview of Fantasia International Film Festival.

 

TERRESTRIAL



Hold the phone! The director of HOT TUB TIME MACHINE, ACCEPTED, and ABOUT LAST NIGHT has directed a sci-fi thriller?

Why yes, he has. And it sounds like a trip I’m ready to take.

Synopsis:

A reunion weekend spirals out of control for four college friends when the host (Jermaine Fowler, SORRY TO BOTHER YOU), a science fiction writer on the verge of newfound success, fights to maintain his sense of reality in the face of sudden, uncanny dangers.


HELLCAT


HELLCAT brings a new twist to the kidnap thriller genre and the race against time element already has me anxious. 

Synopsis:

A woman (Dakota Gorman) wakes in the back of a moving camper trailer with only a voice (Todd Terry) from the truck providing further information and telling her where they're headed.

NYAIGHT OF THE LIVING CAT


Kawaii and horror play together in this J-horror anime series!

It’s a cat lover’s dream and probably the first movie I’ll watch, with my cat GeeBee by my side.

Synopsis:

Adapting the manga written by Hawkman and drawn by Mecha-Roots, and debuting on Crunchyroll this summer, NYAIGHT OF THE LIVING CAT presents a premise more terrifying than a half-empty food bowl—a virus sweeping the globe, causing anyone who touches a kitty to become one themselves! Executive director Miike and director Tomohiro Kamitani deliver a furry, purring parody of the natural-horror subgenre, an animated cataclysm of cuteness!

 

BULLET TIME


This one is for all my fellow Millennial, 90s lovers.

Remember REN & STIMPY? Well, their creator Bob Jaques, is the Animation Director for this short/pilot that director Eddie Alcazar spent four years making.

Grab your flannel!

Synopsis:

In a surreal world fueled by retro gaming nostalgia and Saturday morning cartoon mayhem, BULLET TIME follows Bullet — an emotionally unstable bull terrier — as he battles his way through a bizarre digital gaming universe. Fueled by frenetic action, unhinged heart, and absurd humor, Bullet Time delivers a visually explosive ride that blends 90s cartoon weirdness with cutting-edge animation and a pulse-pounding original score.

 

FIND YOUR FRIENDS


Party culture and social commentary get a sinister spin in this female-centric horror film.

Might be a winner for a girls’ night in.

Synopsis:

Set against cinematic desert scenery, what starts as a wild girls’ trip quickly turns dangerous when the locals don't want them there. As the hostile environment escalates, Amber’s friends uncover her past trauma and become fed up with toxic dynamics. Little do they know, their fun trip will transform into one of revenge—building to a jaw-dropping finale that audiences will never forget.

 

KAZAKH SCARY TALES


KAZAKH SCARY TALES was produced as an anthology series for a domestic streamer but deemed too frightening by focus groups.

So now I need to check it out for myself. I hope to provide you a review to let you know if a nightlight will be necessary at bedtime after viewing.

Synopsis:

A cop (Kuantai Abdimadi, MOUNTAIN ONION) ventures into a remote village to investigate a gruesome series of inexplicable events and soon finds himself in the center of an otherworldly storm of local witchcraft and death. It becomes clear that the curse of Albasty, a spirit said to devour infants, is horrifyingly real.

 

FOREIGNER


 

MEAN GIRLS, but with a horror spin.

Possibly another girls’ night in contender.

Synopsis:

It’s 2004, and Iranian immigrant Yasamin, or Yasi, is the new girl. Her high school experience is daunting, as she tries to improve her English by watching her favorite sitcom and befriends a trio of pastel-clad girls who feed Yasi’s need to fit in. Desperate for acceptance, she dyes her hair blonde and, in doing so, also attracts a demonic force.

 

OLD GUYS IN BED


All the films above have horrific elements with a possible blend of comedy in the mix.

So now it’s time to cleanse the palate and tug at the heartstrings a bit.

Synopsis:

OLD GUYS IN BED tells the story of Paul (Duff MacDonald), a 60-year-old film historian, who meets a man (Paul James Saunders) on a dating website. Unfamiliar with these new ways of making connections, he discovers a world that is both promising and confusing, one that will serve as his gateway through a modern and unpredictable journey of love.

 

NOISE


Korean horror knows how to get under the skin.

NOISE may add a creepy earworm element too as it is already getting buzz around the sound design and perfectly timed jump scares.

Synopsis:

After the disappearance of her younger sister, a woman with a hearing impediment experiences bizarre happenings and frightening encounters when mysterious noises echo throughout the building.

 

THE WAILING


Touted as one of the scariest films of the last year, my curiosity is piqued to see what this curse does.

Plus, I want to root for these women and see them come out stronger in the end. Fingers crossed!

Synopsis:

Several generations of women, separated by time and space, are stalked by the same terrifying curse. Vibrantly told in a multi-chapter structure, taking place in Spain and Argentina across periods and decades apart.

 

 

Sunday, April 6

2025 PFF & IHSFF Festival Recap – Saturday, April 5th


Coda’s ongoing coverage of the 2025 Phoenix Film Festival & International Horror Sci-Fi Film Festival. I'll be using these posts to recap the films I've experienced as part of these festivals.

 

 

By Emery Snyder - @leeroy711


THE SILENT PLANET – Directed by Jeffery St. Jules

 

In the future, Theodore (Elias Koteas) is serving a life sentence of isolation and hard labor on a distant planet when a new prisoner Niyya (Briana Middleton) arrives. The two are made to confront each other as well as their own pasts through a cloud of confusion and paranoia.

Firstly, if our future selves someday actually find an inhabitable planet, rich with some sort of rare and precious mineral, it’s completely on-brand for humanity to immediately turn said planet into a prison. This part I found quite realistic. I responded quite well to the way the rest of this film played out as well. It gives the audience plenty to chew on, while still propelled forward by a tense and action-packed plot.

Essentially, the film seeks to explore the ideas about the helplessness of self-awareness in extreme isolation and the power of companionship. In this, it does a great job.

The plot and these ideas are expressed through the two very touching performances of Koteas and Middleton. I especially appreciated Koteas’ restraint and vulnerability here. I felt for him and the context clues (or lack thereof) given by the script keep us as confused and distraught as his character is.

I’m sure the film will be seen as a bit too slow for many, but I didn’t mind the pace. I could see myself revisiting it.

 

JOIN THE CLUB – Directed by Kip Anderson and Chris O’Connell

Activist Dennis Peron helms the first cannabis dispensary in the country, daring law enforcement to prosecute in pursuit of the legalization of medical marijuana. This documentary tells the story of his activism.

This was an incredibly captivating and fascinating film. Peron’s story perfectly coincides with this country’s historical battle for LGBTQ rights. Peron, in San Francisco’s Castro District, fought along side with Harvey Milk in the 70’s. Then continued his staunch activism throughout the AIDS epidemic in the 80’s and 90’s. This was the reason for his passion about the medicinal benefits of cannabis. He makes his case convincingly in the film through archival footage of various news reels as well as the last known interview, filmed shortly before his death in 2018.

His story really becomes the perfect vehicle to tell several broader stories about our country’s rich history of failing to ensure equal justice. It works well because he was right in the thick of every fight.

The film also can’t help but tell the story of law enforcement’s long history of staying on the wrong side of justice and compassion. To the film’s credit, it gives plenty of runtime to several members of the police department and federal prosecution to tell their side. They take this opportunity and it’s clear that they still feel as though they did no wrong, even as their own words work against them. I also appreciated how well this film illustrates activism’s necessity to violate unjust laws. It’s something that we may need a refresher course soon.

 

40 ACRES – Directed by R.T. Thorne

 

The family of farmers defend their home against outside threats in a post-apocalyptic world of food scarcity.

The first thing that struck me here was how the group of farmers (women and minorities) was cast as a sort of ‘role reversal’. Then very quickly, I had to check my own inherent biases and realize that it says a lot about us culturally (and me) that this type of casting is seen as ‘against type.’

The family lives a life of isolation and paranoia of any outsiders, all members trained in survivalism and combat. This safety is threatened by groups of roving militia-type raiders, looking to invade their and neighboring farmlands.

The secondary conflict introduced is that their crops are beginning to show signs of rot. This serves as a metaphor for the festering infestation that happens in a community, plagued by tribalistic fear and isolationism. It reminds me of how rural people in this country are force fed twisted views of urban areas, perpetuated by their curated bubbles of social media and right-wing news sources. Perspectives need to be refreshed from time to time with the insights colored by outside experiences. The expansion of community and sharing of ideas is how our species has evolved for the past 200,000 years or so. Restriction of this, because of fear or hatred, proves detrimental to these groups.

But I digress. Even if you’re watching this for no other reason than the visceral effectiveness of the genre, you won’t be disappointed. The third act treats us to a trio of merging showdowns of the most badass and bloody intensity. Both visually and choreographically, the action sequences are well engineered and executed.

40 ACRES has been acquired by Magnolia Pictures and I’ll be looking forward to rewatching it upon its release.

 

Follow us on Twitter @CodaReviews

 

Saturday, April 5

2025 PFF & IHSFF Festival Recap – Friday, April 4th


Coda’s ongoing coverage of the 2025 Phoenix Film Festival & International Horror Sci-Fi Film Festival. I'll be using these posts to recap the films I've experienced as part of these festivals.

 

 

By Emery Snyder - @leeroy711


BURT – Directed by Joe Burke

 

Burt (Burton Berger), a 69-year-old street musician and guitarist, suffering from Parkinson’s Disease is approached by Sammy (Oliver Cooper) with the shocking revelation that he is Burt’s unbeknownst son. Burt relishes in the opportunity to be a father, inviting Sammy to stay the weekend with him and his grumpy and suspicious landlord, Steve.

This really is the perfect festival film. It’s small and quaint, with interesting characters and well written dialogue and plot. Overall, it’s a relatively low impact way to spend 80 minutes in the dark, perfectly achieving every note it attempted. I think the point of the film was more to showcase the musical talent and personality of star, Burton Berger.

From what I can gather contextually, Burton is essentially playing himself. He really is a street musician in L.A., struggling with Parkinson’s. And the music showcased in the film are all original songs, written and performed by himself. The music was pretty great and I was quite engrossed with every moment that he was on screen. And I truly hope that this film finds enough of a following to give him the exposure he deserves.

It also didn’t hurt that Burt reminded me quite a bit of my own father, who was also a folksy guitarist. They’re even from the same town, Elmira, NY.

 

 

THE LADDER – Directed by Emilio Miguel Torres


In the not-too-distant future, an aging fisherman, Arthur (Keith Smith) in Ketchikan, Alaska is contemplating restarting his life via a new experimental and mysterious medical procedure.

Meditative and picturesque, Ketchikan becomes the perfect stage to explore the timeless cerebral conflict between nature and technology. This film is deliberately paces, patient and beautiful. It’s a sentimental story about aging and time; how much we have left and our very right to claim it for ourselves.

Unfortunately, the film didn’t really work for me. I think this falls victim to the all-to-common issues when a successful short film is adapted to feature length. I never saw the short that preceded this, but it certainly wouldn’t shock me to find that it’s brilliant. Too often, a concept that works for a 15-minute story is vulnerable to ineffectiveness with the attempt to stretch out the narrative and flesh out the characters. I wish that filmmakers that have already proven themselves in this way, would focus their talents on a new original idea in these cases. The delicate economy of storytelling often does not lend itself to translations and adaptations of this sort.

 

DEAD LOVER – Directed by Grace Glowicki

A lonely gravedigger (Grace Glowicki) with severe work-related body odor issues finally finds the love of her life. But when he dies at sea, she’s unwilling to accept the loss and goes to great lengths of grotesquery to restore her love.

I first have to acknowledge the very strange and unintended trajectory of the three films that I saw yesterday. Working my way from the heartfelt dramedy about an elderly man suffering from a chronic illness, to a slow-burn sci-fi about a man contemplating a new a radical medical procedure that restores his youth, to end on this film about a freaky love affair with a reanimated corpse? Wow! If I could have planned it, I would have planned it exactly like this. So, bravo to me.

I honestly had an amazing time with this romp of artifice and debauchery. The entire film was shot in 4:3 aspect ratio, on a minimally dressed sound stage.

As someone that sees a large quantity of films, I can’t tell you how much I appreciate the level of originality and uniqueness that went into this. I think cinema is the most post-modern of all mediums so to see something that’s this distinctive is rare. I got strong Guy Maddin vibes from aesthetic aspects, but even that left tons of room for Glowicki’s creative voice.

There’s something I kind of love about the feeling I get, seeing multiple people walk out of a screening that I’m thoroughly enjoying. I can’t explain why exactly, and I’m happy and confident that this film (that has been picked up by Yellow Veil Pictures) will find its audience. But I love the feeling that this was, in at least some small way, made for me and not for them. I’m pretty sure this is what Kendrick was on about.

 

Follow us on Twitter @CodaReviews