Stan & Ollie

Stan & Ollie

Dir: Jon S. Baird

Starring: John C. Reilly, Steve Coogan, Shirley Henderson, Nina Arianda, and Danny Huston

“The Dance of the Cuckoos” was the signature tune that played before all the films of the classic Hollywood comedic duo Stan Laurel and Oliver Hardy. Their visual slapstick style has become the iconic calling card for the duo, but the team’s ability at crafting ingenious narrative setups is often overlooked. Stan Laurel, an Englishman, and Oliver Hardy, an American, worked on more than 100 collaborations, creating memorable and influential routines but also developing a lifelong dedication to their craft and ultimately a friendship that would last a lifetime.

The story begins in the summer of 1937, Laurel and Hardy are walking the backlots of the Hal Roach (Danny Huston) production “Way Out West”. They are Hollywood superstars at the peak of their career but their relationship with the studios, the dawn of a new era in filmmaking, and their complicated personal lives signal the beginning of the end for their companionship. 16 years progress and Laurel and Hardy are pushing through a tour in Newcastle and Glasgow looking for one final standing ovation for their comedy stylings. 

“Stan & Ollie”, directed by Jon S. Baird, takes a charming look at the later career of the two comedians. For fans of the comedy legends, the portrayal of Laurel and Hardy is impeccable. Steve Coogan gives a wonderful performance as Stan Laurel while John C. Reilly completely disappears, physically and emotionally, into the role of Oliver Hardy. It’s impressive how much detail was paid towards the routines and mannerisms of the duo, Mr. Coogan and Mr. Reilly absolutely nail the stage reenactments. 

The narrative composes an interesting character study that is greatly accommodated by the performances of Coogan and Reilly. Instead of focusing on the tedious nature of a traditional biopic structure, the film wisely takes the focus towards the latter days of the duo’s career. We get to see the years of resentment boil over, we see Hardy’s health decline with a heart condition that makes his performance on stage difficult, and we see Laurel’s frustration with letting go of the past and having to adapt to the inevitable future. This helps bring a melancholy sensibility to the typically joyous routines they performed. 

There are a few moments in the film that unnecessarily slow the pacing down, specifically when the film tries too hard to explain the complicated relationship of these two artists instead of trusting the performances which work so much better in showing the mix of emotions the pair are feeling as they realize that things will never be the same. Still, director Jon S. Baird does a fine job of turning a modest script into something much more genuine.

“Stan & Ollie” showcase the talent of a kind of comedy that has all but disappeared from the mainstream culture. While there are occasions when comedians will emulate a small piece of what these two iconic characters did so effortlessly, the style and grace of Stan Laurel and Oliver Hardy are truly one of a kind. “Stan & Ollie”, with its impressive performances, honors the legacy of a unique craft founded by two comedy craftsmen.  

Monte’s Rating

3.50 out of 5.00

The Nun Review

The Nun

Dir: Corin Hardy

Starring: Demián Bichir, Taissa Farmiga, Jonas Bloquet, and Bonnie Aarons 

“The Conjuring” universe continues to grow with director Corin Hardy’s “The Nun”. Taking the mythos of an evil spirit that manifests the physical form of a nun, who was last seen in another connected ghost franchise “Annabelle: Creation”, “The Nun” continues to operate within the blueprint established by recent master of horror James Wan, the director responsible for “Insidious” and “The Conjuring”. Unfortunately, “The Nun” feels stifled by familiar setups and a bare bones narrative that aims to offer nothing more than sequences to build scares around.

Father Burke (Demián Bichir) is tasked by the Vatican to investigate the mysterious death of a nun in Romania. He is provided a novitiate (Taissa Farmiga) on the threshold of her final vows to accompany him on the voyage. The two travel to Romania and meet up with the young man (Jonas Bloquet) who discovered the deceased nun. The group travel to the secluded abbey and uncover a dark and unholy secret involving a demon named Valek that is trying to escape the monastery. 

“The Nun” boasts an interesting atmosphere that pours on the fog and deepens the long shadows, composing a visually interesting gothic scenery. It helps in crafting the structure to make some of the more deliberate scares have greater effect than they otherwise might have. Dark hallways that seem endlessly guided into thick blackness, catacombs with swathed bodies surrounded by dense fog, and, of course, a cemetery with crooked crosses each of which have bells connected to strings so that people buried alive could alert those above ground. It’s a great setup. 

Unfortunately, even with some creative moments “The Nun” never feels cohesive enough to make the demon Valek have the lasting fright that it should. And this monster has such an effective design that we should think twice about turning the lights off after we watch the movie. But there are few frights here that seem altogether memorable, if you’ve seen “The Conjuring” or “The Insidious” films you’ve seen all these scares before. The most effective scare featuring The Nun doesn’t even happen in this film.

The two lead characters, who are given earnest performances by Mr. Bichir and Ms. Farmiga, are rarely provided the construction to put much value in their journey. The narrative is trying to establish an origin story but the dots never seem to connect effectively enough, though this isn’t always a bad thing for horror films. In fact, sometimes a muddled backstory can make the monster more effective. That unfortunately isn’t the case here. 

“The Nun” has a few moments that embrace the nice mix of humor and horror that makes these supernatural vehicles so much fun. In particular the inclusion of a specific weapon by one of the characters offers a nice gag. “The Nun” has some spooky imagery and establishes some great atmosphere, which is were most of its fun is had; unfortunately it never conjures the spectacle or the scares that such a visually interesting  monster should have.

Monte’s Rating

2.00 out of 5.00