Jersey Boys
Dir: Clint Eastwood
Starring: John Lloyd Young, Erich Bergen, Vincent Piazza, Michael
Lomenda, and Christopher Walken
Rated R / 134 Minutes
Rated R / 134 Minutes
The Broadway smash “Jersey Boys” has been dazzling audiences
for nearly ten years. The musical, getting the big screen treatment from the
capable hands of director Clint Eastwood, is based on the tumultuous life of
Frankie Valli and The Four Seasons. Known for standards like “Sherry” and “Walk
Like A Man”, Valli grew up in rough neighborhood with equally rough friends but
was always guided towards music. Eastwood shaped “Jersey Boys” into a film that
unfortunately lacked the flair and energy of the stage performance but instead
added some character depth for a nostalgic experience.
Eastwood is an avid fan of music, which can be seen by the
numerous music documentaries he has produced and the addition of composed music
he has created for his films. The 84-year-old icon has done nearly everything
in film, recently his directorial catalog has been filled with character driven
films within a specific time period. The common thread however has always
surrounded people making difficult choices in a complicated world. While the decision for Eastwood to direct a
musical for the first time may seem odd, the narrative themes in “Jersey Boys”
are all right up Eastwood’s alley.
Francesco Castelluccio (John Lloyd Young), who would later change
his name to Frankie Valli, grew up on the mean streets of Belleville, New
Jersey. Getting in trouble with the mob or joining the military, as narrator
Tommy DeVito (Vincent Piazza) explains, were the only two occupations for Jersey
youth in 1951, unless you were a talented singer like Frankie. Tommy, a
handsome con artist looking for a quick turn, is the leader of the band known
as The Four Lovers. Frankie, who has found some singing cred with a local mob
boss (Christopher Walken), is brought on as lead singer. With the addition of
clean-cut songwriter Bob Gaudio (Erich Bergen), the band finds fame. Though the
road to success for the newly christened Four Seasons is filled with struggle.
Eastwood striped “Jersey Boys” down in musical numbers and included
more character depth than the stage version. These changes were complimentary
for the screen, unfortunately for those familiar with the stage version the
alterations in pacing and mood will be sorely disappointing. Eastwood’s mix of
gangster film tropes and commentary on the “American Dream” were interesting
and worked well when the film shifted into more serious territory. Having many
of the stage actors reprise their roles, which included live singing
performances on camera, gave the film exceptional musical quality. Still, the
film had difficulty changing gears from feel good musical to focused drama and
some of the deliberate pacing choices strained the film from scene to scene. For a musical there was a significant lack of score, which was unusually considering there was so much to utilize. It
was the music, both the familiarity of the classic hits and moving
performances, which has kept the stage production alive for so long. Eastwood,
moving the focus away from those qualities, struggled to find an identity for
the film.
“Jersey Boys” on screen may not have the audience dancing in
the aisles like the stage production but it did bring about the love and
nostalgia music invokes. Frankie Valli and the Four Seasons may not be as
identifiable as they once were, but their music featured in this film is still
recognizable and uplifting.
Monte’s Rating
3.00 out of 5.00
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