Streamathon - Death by Chainsaw
October 2018
Preface: This is part of an ongoing blog series of curated movie marathons that are thematically or otherwise tied together. The other common factor tying these films together will be their availability to watch them all from the comfort of your own home on various streaming platforms. The goal is that writing this blog will somehow justify the excessive number of streaming platforms I subscribe to. The films will be found on some combination of Netflix, Hulu, Amazon Prime Video, Mubi, FilmStruck, Shudder and/or Fandor. These titles will be available for the month that the blog is published. All of these subscriptions offer free trials so feel free to dive in and follow along… Have fun. Just don’t message me for my login information.
By: Emery Martin-Snyder
It’s the official season for
horror films. So I decided to go a bit specific with this one. A legitimate
chainsaw murder is the type of thing that you’re only likely to find in the movies.
A short google research has found lots of gruesome stories of murder victims
being subsequently dismembered by chainsaws. And there are a handful of
accidental chainsaw related deaths every year. But to actually murder someone
with one just seems rather implausible in real life. Maybe that’s why it’s so
awesome in movies. You just must know that the practical effects guys get super
excited about.
The Stream
AMERICAN PSYCHO (2000)
Directed by Mary Harron – Streaming on Hulu
If
you didn’t realize it, you were supposed to be watching this film as a satire. And
if you were unaware of that fact going into it, the white track shoes wearing
chainsaw wielding Patrick Bateman chasing a woman out of his apartment should
probably have clued you in. I have no idea why Bateman even owns a chainsaw in
this apartment. This movie has a lot going on. I honestly didn’t care much for
it the first time I watched it. But over the years, I’ve come to appreciate it
more and more.
DEATHGASM (2015)
Directed by Jeremy Lei Howden – Streaming on Amazon Prime Video
MOTEL HELL (1980)
Directed by Kevin Connor – Streaming on Amazon Prime Video
This is such a charming little cannibal movie. It’s a sort of
darkly comic tale of rural America’s hospitality industry. Rory Calhoun stars
as Farmer Vincent, who also fashions himself as a hotelier. Say what you will,
but you can’t call him wasteful. His hotel guests double as menu items. His
performance is delightful and endearing. He radiates southern charm as he
buries his victims alive. Although there are plenty of missteps here, the climactic
pig-head chainsaw duel is just fantastic and undeniably worth waiting for.
MURDER PARTY (2007)
Directed by Jeremy Saulnier – Streaming on Shudder & Netflix
Over the past decade, Jeremy Saulnier has been rapidly
becoming one of my favorite directors. His GREEN ROOM was my favorite film of
2015 and I loved his most recent release, HOLD THE DARK. This one is his first
feature and it if we grade on that curve, it’s quite impressive. As you can
see, this list is pretty full of dark comedies. This is no exception. And that’s
not to say that it’s shallow or thin on message. This actually feels like an
angry film and a clear indictment of the pretention of the New York art scene.
The chainsaw scenes here are unique as well. You’re not very likely to see an electric
chainsaw as a murder weapon. It just doesn’t seem very convenient.
[REC] 3: GENESIS (2012)
Directed by Paco Plaza – Streaming on Hulu
Full
disclosure: I’m not the biggest fan of the REC series. This one is my favorite
of the four of them. I was very pleasantly surprised when, after about five
minutes they ditched the found footage gimmick and just focused on making a
hyper, campy and fun zombie apocalypse film. What this lacks in story, it
completely makes up for in tone and imagery. I don’t know if I can think of anything
cooler looking than a beautiful woman in a blood-splattered wedding dress going
all bridezilla on a herd of infected party goers.
THE TEXAS CHAINSAW MASSACRE 2 (1986)
Directed by Tobe Hooper – Streaming on Amazon Prime Video
This is a rare type of a movie. It’s only a sequel in the
fact that it continues the original story from twelve years before. Its
atmosphere and tone however are a serious departure. And that being said, it
has perfect casting. Jim Siedow as the wily cook has a ton of lines for his screen
time. And his delivery always seems to be on the precipice of an aneurysm. This
is the perfect contrast for Bill Moseley’s ‘Chop-Top’, the violently energetic flower
child that can’t seem to take anything too seriously. And then you have the
hero Lt. ‘Lefty’ Enright played by Dennis Hopper. He was never one to phone it
in and he certainly seemed to have a firm grasp not only his character but on
the type of film that was being made. It’s also worth noting that this came out
the same year as BLUE VELVET, THE RIVER’S EDGE and HOOSIERS. He was on fire at
this time. I’m sure that the popularity of the legend itself helped this film immensely at the box office. That being said, I still think the atmosphere is eerie and well put together. I could be the thousandth person to complain about the bad CGI but I always tend to be forgiving of that stuff in favor of empathetic characters and good tension building.
TUCKER & DALE VS. EVIL (2010)
Directed by Eli Craig – Streaming on Netflix, Hulu & Shudder
It’s fitting that I end on this note. We’ve taken a look at
a lot of horror comedy, dark comedy, campy and outlandish films. This one is
all of those things as well as a great deconstruction of modern horror as a
whole. Unfortunately, I feel like this gets lost amongst the group of BEHIND
THE MASK (’06) THE CABIN IN THE WOODS (’12) and SHAUN OF THE DEAD (’04). I love
those movies too, but I find myself more often drawn to revisit my good friends
Tucker & Dale. The meta-deconstructionist aspects here are just as good as
the rest. But I seem to just have more fun with this film than I do with the
others. Every death scene puts a perfectly gruesome slapstick finish and you
just can’t help but laugh out loud. I might be cheating a bit with the chainsaw
death scene. Technically, a chainsaw is used in one of the film’s most
hilarious mishaps; albeit in a very Rube Goldbergian fashion. So, I’m keeping
it. Because it brilliantly takes the wind out of some of our most serious
cinematic killers. And I think it’s a great way to end the season.
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