Coda’s ongoing coverage of the 2022 Phoenix Film Festival & International Horror Sci-Fi Film Festival. I'll be using these posts to recap the films I've experienced as part of these festivals.
Note: I had a feature in between a
couple of blocks of shorts. I picked out some of the highlights from the shorts
programs to cover…
World Cinema Shorts
THE
BLACTOR – Directed by Rukiya Bernard
At
13 minutes, this little film manages to fit in just the right amount of
cleverness, insight and provocation to be memorable. Keeya King’s Kadidja is
lively and convincing and you’re completely with her as she navigates an
intense situation.
A
GUIDE TO DINING OUT IN NAIROBI – Directed by Hugh Mitton
When Juma (Yafesi Musoke) is accidently handed a $10 tip, he decides to see how far it will take him on an unforgettable night out.
This
was the perfect short film. Essentially told through two scenes bookending a
hilariously fun montage of Juma painting the town red. The ending is surprising
in how beautifully it lands on its message about the disparities between the
rich and the working class.
DISTANCES
– Directed by Susan Bejar
*Winner of the Copper Wing Award for Best World Cinema Short
When a seemingly disturbed man on a crowded bus begins ranting, the other riders shudder and clamor out of the way to avoid him until Maria, takes a different, not-so-radical approach.
Roger
Ebert said that movies are a machine that generates empathy. If this is true, (and
of course it is) then this 13-minute film is extremely well-oiled. It’s the
type of film that makes you hope for your own opportunity to be a good person.
Native American Shorts
MY
FIRST NATIVE AMERICAN BOYFRIEND – Directed by Joey Clift
Emily spends the majority of the film apologizing to boyfriend Johnny for every microaggression she’s inflicted against Natives her whole life.
This
film has the perfect cast of two fun and likeable characters. Benny Wayne Sully
and Kylie Brakeman have great chemistry, proven in a very short amount of
runtime. The film’s dialogue is a fun little dance, designed to make us white
liberal “allies” squirm in our seats just enough. And it leads to such a fun
and satisfying ending.
DELIVERY
– Directed by Colton Eschief Mastro & Eric Jackowitz
DELIVERY is a dark comedy about Charlie (Mastro), a food delivery driver that uses the perks of his job to facilitate his one true passion, serial killing. That is until life throws him a curve in the form of his next potential victim.
Why
can’t all movies be this much fun? Seriously, from the set design and dance
choreography of its opening scene through its dreamscape ending, I was onboard
for all of it. The dialogue was flawless. The chemistry between Charlie and
Madison is great and their performances stood out.
THE
TRAILS BEFORE US – Directed by Fritz Bitsoie
This is a short documentary about 17-year-old Nigel James in the Navajo Nation, that rides his mountain bike through the horse trails of his ancestors.
It’s
honestly going to be hard to find a more picturesque way to spend 13 minutes of
your life. The cinematography captures this scenery beautifully. We follow
Nigel as he explains when and why he started riding these trials and how it’s
his way of showing respect for the land.
I
don’t think there’s a more perfect word than captivating to describe this film.
I’ll be on the lookout for an opportunity to rewatch this one for sure.
*Winner of the Copper Wing Award for Best Director (Alana Waksman)
Rae (Madeleine Coghlan), a twenty-something girl in Billings, Montana is targeted by local Neo-Nazis. In an attempt to find herself, she heads back to her roots and the legacy of her Holocaust surviving ancestry.
This film was shot in both Billings and Butte, Montana. I was first surprised at just how picturesque both of these locations actually are. The cinematography captures this beauty very well. Many of the more intimate scenes are shot with a floating hand-held look that made them more personal.
The film seems to bounce around between a small, personal story of the self-destruction of identity crisis and the overarching account of the rise of extremism in America’s flyover land and the types of people it hurts. I’m not sure that it ever strikes a proper balance between the two narratives but I appreciated what it was going for. I also liked how this film illustrates the differences between culture and beliefs. And how these two forces within the same person can sometimes be in direct conflict with each other.
Overall, I found this film to be a bit disjointed and meandering, but definitely not in the worst ways possible. It still has a lot to offer to the audience, both technically and narratively.
Follow us on Twitter @CodaReviews
